“Reverse Mulling” to Achieve One-Pot Transitions of Classical Oils and Their Vehicles into Saturated Hybrid Ink-Paint and Its Vehicles:
Printmakers and painters alike would embrace a method preserving the richly saturated tube colors, and seeing the output fit for paper surfaces, enter Reverse Mulling!
Material Recovery: Printmaking Using Recycled Materials
Material Recovery, an exhibit opening at Angels Gate Cultural Center in San Pedro, California, on January 20, 2024, and on view through March 23, is an attempt to produce artwork made from recycled rather than raw components.
WE NEED CONTENT FOR THE NEW LAPS BLOG!
Do you have an interesting perspective on printmaking that you would like to share with our community?
E-Etching: Art, Science, Craft
Have No Fear! Electro etching (or e-etch for short) is way less prone to give you an electric shock compared to your kitchen and household appliances.
What makes a work of art great?
I’ve been a curator my entire career and I’ve spent a lot of time thinking about what makes a work of art “great.” When LAPS editor Cathie Crawford asked me to write for the new blog, I thought it would be a good opportunity to share my thoughts.
LAPS Highlights of the 38th Bradley International Print and Drawing Exhibition in 2023
The 38th Bradley International Print and Drawing Exhibition is the second-longest-running juried print and drawing competition in the United States.
Sharone Putter
Printmaker Bernhard Cociancig on the history and techniques of the Mokulito process
The Mokulito Process
Printmaker Bernhard Cociancig on the history and techniques of the Mokulito process
Cultivating a Printmaking Community in Los Angeles
The history of Los Angeles Printmaking Society
What Is a Print?
What would cultural critic Walter Benjamin have to say about digital print techniques?
