I don’t really pursue a style or mannerism, but often particular processes of printmaking and materials at hand inspire my print projects. I enjoy the playful exploration of the junction between materials and processes, and the transformation, which often generates unexpected narratives. I have been wondering though, if the magic of ink on print surface can be communicated through a small monitor. Personally, I enjoy directly sensing the light particles bouncing off the surface of printed marks, stirring the surrounding air molecules a bit.


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Artist Image #1
rotten semblance, lithograph & screenprint, 2022
Artist Image #4
boys with pellet gun, lithograph & screen print, 2020
Artist Image #7
winter, screen print & mono-serigraph, 2017
Artist Image #2
untitled (stone inventory), screen print, 2019
Artist Image #5
circle of confusion, lithograph, 2018
Artist Image #8
perishable, lithograph & screen print, 2016
Artist Image #3
rest in peace, screen print. 2021
Artist_Image #6
descending, layered monotype, 2015
Artist Image #9
deception, lithograph & screen print, 2017
Long Beach, CA
United States

Kimiko Miyoshi’s printmaking experience began as a collaborative silkscreen printer in Japan. She was also involved in the reproduction of Ukiyo-E as a Kira printer. After receiving her MFA in Printmaking from the University of New Mexico, she built scientific exhibitions for the Explora Science Center, a children’s science museum in Albuquerque, NM. The work had a great effect on her creative practice and observational habits. She currently teaches printmaking at CSU, Long Beach.