I’m a multidisciplinary artist drawn to printmaking for its mix of control and unpredictability. I mainly work with monotype and linocut, exploring how gesture, pressure, and material shape the image. Each print begins as an impulse and grows through repetition, variation, and small accidents that often define the final result.

I’m interested in how a simple mark can carry emotion or memory — how something minimal can feel alive. Printmaking for me is a slow, physical dialogue with time and touch, where every layer adds its own voice.

I also explore ceramics as a parallel medium, translating the same ideas into three-dimensional space. My process is experimental and open-ended — each piece becomes both a study and a transformation.